{"id":2041,"date":"2016-11-17T15:37:25","date_gmt":"2016-11-17T12:37:25","guid":{"rendered":"http:\/\/localhost\/wp\/?p=2041"},"modified":"2016-11-17T15:37:25","modified_gmt":"2016-11-17T12:37:25","slug":"expozitia-de-pictura-frontiere","status":"publish","type":"post","link":"https:\/\/www.bnrm.md\/?p=2041","title":{"rendered":"Expozi\u021bia de pictur\u0103 \u201dFrontiere\u201d, autor – Valeria Barbas"},"content":{"rendered":"

Expozi\u021bia de pictur\u0103 \u201dFrontiere\u201d, autor – Valeria Barbas<\/h4>\n

\u201dO frontier\u0103 este o limit\u0103 de natur\u0103 personal\u0103 care marcheaz\u0103 acele lucruri pentru care suntem responsabili. Cu alte cuvinte, limitele\/frontierele definesc cine suntem \u0219i cine nu suntem.\u201d<\/em><\/p>\n

Boundaries, de Dr. Henry Cloud, Dr. John Townsend<\/em><\/p>\n

<\/p>\n

Expozi\u021bia \u201dFrontiere\u201d lansat\u0103 de artista Valeria Barbas vine s\u0103 relateze retrospectiva evenimentelor istorice cruciale pentru Republica Moldova pe parcursul ultimilor 13 ani, divergen\u021bele social-politice fiind reflectate \u00een seria de lucr\u0103ri realizate de subsemnata cu genericul Frontier\u0103 (Alegeri, Transnistria). Tablourile-cronici, realizate \u00een diverse tehnici, \u00een special a colajului, asambleaz\u0103 elemente din publicitate electoral\u0103, presa scris\u0103 a timpului, aduc\u00e2nd \u00een prim plan evenimentele din 2003, 2005, 2009.
Expozi\u021bia are la baza, \u00een acela\u0219i timp, \u0219i ideea dep\u0103\u0219irii frontierelor geografice, na\u021bionaliste, rasiste, de mentaitate, dar \u0219i a celor personale.<\/p>\n","protected":false},"excerpt":{"rendered":"

Expozi\u021bia de pictur\u0103 \u201dFrontiere\u201d, autor – Valeria Barbas \u201dO frontier\u0103 este o limit\u0103 de natur\u0103 personal\u0103 care marcheaz\u0103 acele lucruri pentru care suntem responsabili. Cu alte cuvinte, limitele\/frontierele definesc cine suntem \u0219i cine nu suntem.\u201d Boundaries, de Dr. Henry Cloud, Dr. John Townsend<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_bst_post_transparent":"","_bst_post_title":"","_bst_post_layout":"","_bst_post_sidebar_id":"","_bst_post_content_style":"","_bst_post_vertical_padding":"","_bst_post_feature":"","_bst_post_feature_position":"","_bst_post_header":false,"_bst_post_footer":false,"footnotes":""},"categories":[25],"tags":[],"class_list":["post-2041","post","type-post","status-publish","format-standard","hentry","category-25"],"_links":{"self":[{"href":"https:\/\/www.bnrm.md\/index.php?rest_route=\/wp\/v2\/posts\/2041","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.bnrm.md\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.bnrm.md\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.bnrm.md\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bnrm.md\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2041"}],"version-history":[{"count":0,"href":"https:\/\/www.bnrm.md\/index.php?rest_route=\/wp\/v2\/posts\/2041\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.bnrm.md\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2041"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.bnrm.md\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2041"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.bnrm.md\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2041"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}