Luni, 2 octombrie, ora 18.00, \u00een Sala de conferin\u021be Alexe R\u0103u, Cenaclul Republica al Bibliotecii Na\u021bionale v\u0103 invit\u0103 la o \u00eent\u00e2lnire cu Claudiu Komartin, la un eveniment ce va preceda lansarea de carte de a doua zi de la Libr\u0103ria din Centru.<\/p>\n
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Claudiu Komartin nu e primul poet rom\u00e2n contemporan care la nici patruzeci de ani public\u0103 o antologie de poezie, ceea ce arat\u0103 momentul excelent pe care poezia rom\u00e2neasc\u0103 \u00eel traverseaz\u0103 de c\u00e2\u021biva ani buni (decade). \u0218i nu e nici singurul care alege s\u0103 publice o carte \u00een Republica Moldova.<\/p>\n
Deci iat\u0103 c\u0103 \u00een timp ce autorii no\u0219tri public\u0103 de cealalt\u0103 parte a Prutului, \u0219i autori din Rom\u00e2nia schimb\u0103 malul. Prilejul perfect pentru o \u00eent\u00e2lnire cu Claudiu \u0219i cu antologia Mae\u0219trii unei arte muribunde, poeme alese 2010-2017, care \u2013 spune autorul \u2013 \u201e\u00eencheie o etap\u0103 a vie\u021bii \/ poeziei mele\u201d. Antologia cuprinde 21 de fotografii realizate de Ana Toma.<\/p>\n
Claudiu Komartin (n. 7 august 1983, Bucure\u0219ti) este un poet \u0219i traduc\u0103tor rom\u00e2n contemporan. A publicat mai multe c\u0103r\u021bi de poezie, distinse cu numeroase premii.
Activitate publicistic\u0103 (articole, eseuri, traduceri) \u00een „Vatra”, „Timpul”, „Adev\u0103rul literar \u0219i artistic”, „Ziarul de duminic\u0103”, „Luceaf\u0103rul”, „Tribuna”, „Steaua”, „Tomis” etc. A publicat articolul-manifest „Genera\u021bia 2000 – o introducere” (2005). Selec\u021bii din poemele sale au fost traduse \u0219i publicate \u00een englez\u0103 („Poetry International”, „Long Poem Magazine”, „Trafika Europe”, antologia The Vanishing Point that Whistles, 2011), francez\u0103 („Confluences po\u00e9tiques”, „Nu(e)”), german\u0103 („Wespennest”, „Die Horen”, „Manuskripte”), spaniol\u0103 („Quimera”, „Otro P\u00e1ramo”), suedez\u0103 („Lyrikv\u00e4nnen”, antologia Om jag inte f\u00e5r tala med n\u00e5gon nu, 2011), neerlandez\u0103 (antologia Voor de prijs van mijn mond, 2013), sloven\u0103 (antologia Medana dnevi poezije in vina, 2005), maghiar\u0103 (antologiile Szabadul\u00e1s a gett\u00f3b\u00f3l, 2008 \u0219i Egy zacsk\u00f3 cseresznye, 2009), s\u00e2rb\u0103 („Gradina”, „Zlatna Greda” \u0219i \u00een antologiile Iz novije rumunske poezije, 2009; \u010casopis za knji\u017eevnost Tre\u0107i Trg, 2010; Kada iza\u0111e\u0161 na zale\u0111ene ulice, 2013), croat\u0103 („Zarez”), rus\u0103 (antologia Instruc\u021biia dlea pobega, 2015), bulgar\u0103 („Balkani”, „Literaturen Vestnik”), polon\u0103 („Lampa”), italian\u0103 („Sogglie”), ceh\u0103 („TVAR”), turc\u0103 („Patika”), ebraic\u0103 („Hava Lehaba”), japonez\u0103 („Beagle”) \u0219i coreean\u0103 („Munhak”).\u201d<\/p>\n
Moderator: Moni St\u0103nil\u0103<\/p>\n","protected":false},"excerpt":{"rendered":"
Claudiu Komartin la Cenaclul Republica Luni, 2 octombrie, ora 18.00, \u00een Sala de conferin\u021be Alexe R\u0103u, Cenaclul Republica al Bibliotecii Na\u021bionale v\u0103 invit\u0103 la o \u00eent\u00e2lnire cu Claudiu Komartin, la un eveniment ce va preceda lansarea de carte de a doua zi de la Libr\u0103ria din Centru.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_bst_post_transparent":"","_bst_post_title":"","_bst_post_layout":"","_bst_post_sidebar_id":"","_bst_post_content_style":"","_bst_post_vertical_padding":"","_bst_post_feature":"","_bst_post_feature_position":"","_bst_post_header":false,"_bst_post_footer":false,"footnotes":""},"categories":[26],"tags":[],"class_list":["post-2160","post","type-post","status-publish","format-standard","hentry","category-26"],"_links":{"self":[{"href":"https:\/\/www.bnrm.md\/index.php?rest_route=\/wp\/v2\/posts\/2160","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.bnrm.md\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.bnrm.md\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.bnrm.md\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bnrm.md\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2160"}],"version-history":[{"count":0,"href":"https:\/\/www.bnrm.md\/index.php?rest_route=\/wp\/v2\/posts\/2160\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.bnrm.md\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2160"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.bnrm.md\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2160"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.bnrm.md\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2160"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}