Miercuri, 20 decembrie, ora 18.00, Sala de conferin\u021be \u201eAlexe R\u0103u\u201d BNRM, Cenaclul Republica v\u0103 \u00eenvit\u0103 la o \u00eent\u00e2lnire cu Moni St\u0103nil\u0103 \u0219i Alexandru Vakulovski unde gazdele \u00ee\u0219i prezint\u0103 cele mai recente volume de poezie: O lume din evantaie, pe care s\u0103 nu o \u00eempar\u021bi cu nimeni \u0219i Priveli\u0219ti<\/em>, ambele ap\u0103rute \u00een aceast\u0103 toamn\u0103 la editura Charmides. <\/p>\n \u201ePriveli\u0219ti\/le<\/em> lui Alexandru Vakulovski aduc aminte, mai degrab\u0103, de Blow-up<\/em>, filmul lui Antonioni din 1966. Vakulovski e un fotograf de elit\u0103 care reu\u0219e\u0219te s\u0103 fotografieze cam tot ce mi\u0219c\u0103 \u00een proximitate. \u00cen proximitatea lui \u0219i a noastr\u0103. Adev\u0103rul, realit\u0103\u021bile, despre noi \u0219i despre ceilal\u021bi, sunt developate \u0219i \u00eentrupate, cu revolt\u0103, incisiv \u0219i curajos, \u00eentr-o poezie absolut zguduitoare. Nimic bucolic, nimic minimalist! Un happening, de fapt, \u00een care develop\u0103rile \u0219i expunerile se articuleaz\u0103 \u0219i se ansambleaz\u0103 reciproc. \u201ePoezia lui Moni St\u0103nil\u0103 n-a fost niciodat\u0103 una \u201edirect\u0103\u201d, cum a receptat-o critica, trimi\u021b\u00eend mai ales la Colonia fabricii<\/em> (volum care uza, ce-i drept, de o anumit\u0103 brutalitate a reconstituirii documentare). \u0218i este cu at\u00eet mai pu\u021bin \u00een O lume din evantaie<\/em>, unde ambiguitatea alegoric\u0103 devine principala surs\u0103 de lirism. Moni St\u0103nil\u0103 & Alexandru Vakulovski la Republica Miercuri, 20 decembrie, ora 18.00, Sala de conferin\u021be \u201eAlexe R\u0103u\u201d BNRM, Cenaclul Republica v\u0103 \u00eenvit\u0103 la o \u00eent\u00e2lnire cu Moni St\u0103nil\u0103 \u0219i Alexandru Vakulovski unde gazdele \u00ee\u0219i prezint\u0103 cele mai recente volume de poezie: O lume din evantaie, pe care s\u0103 nu o \u00eempar\u021bi cu nimeni \u0219i Priveli\u0219ti,…<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_bst_post_transparent":"","_bst_post_title":"","_bst_post_layout":"","_bst_post_sidebar_id":"","_bst_post_content_style":"","_bst_post_vertical_padding":"","_bst_post_feature":"","_bst_post_feature_position":"","_bst_post_header":false,"_bst_post_footer":false,"footnotes":""},"categories":[26],"tags":[],"class_list":["post-2233","post","type-post","status-publish","format-standard","hentry","category-26"],"_links":{"self":[{"href":"https:\/\/www.bnrm.md\/index.php?rest_route=\/wp\/v2\/posts\/2233","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.bnrm.md\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.bnrm.md\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.bnrm.md\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bnrm.md\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2233"}],"version-history":[{"count":0,"href":"https:\/\/www.bnrm.md\/index.php?rest_route=\/wp\/v2\/posts\/2233\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.bnrm.md\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2233"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.bnrm.md\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2233"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.bnrm.md\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2233"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
Invitat special: Dumitru Crudu.<\/p>\n
\u00centreb\u0103rilor lui N. Steinhardt (dintr-un eseu dedicat chiar lui Antonioni \u0219i filmului s\u0103u): \u201dsuntem oare \u00een m\u0103sur\u0103, cu sim\u021bul v\u0103zului, s\u0103 detect\u0103m pe de-a-ntregul realitatea, ne este ea pe deplin accesibil\u0103? Sau ne afl\u0103m victime ne\u0219tiutoare ale unui c\u00e2mp vizual bine \u00eengr\u0103dit?\u201d, Alexandru Vakulovski le r\u0103spunde, \u00een aceast\u0103 carte, cu precizie maxim\u0103. \u0218i poate mai mult dec\u00e2t at\u00e2t! Dac\u0103 \u021binem seama de c\u00e2teva titluri cu adev\u0103rat antologice: \u0219iria, un terorist, portocala mecanic\u0103, balet, un mo\u0219 cu aragaz<\/em>, vecini, \u0219i, mai ales, de aceste versuri: \u201dam ajuns la v\u00e2rsta la care nu\/ mi-e destul s\u0103-mi fie bine\/numai mie.\u201d
Ioan PINTEA<\/p>\n
G\u0103sim aici un continuu joc \u00eentre genuin \u0219i simbolic, \u00eentre, altfel spus, percep\u021bia imediat\u0103, adeseori \u00eenc\u0103rcat\u0103 de senzualitate, \u0219i filtrul hermeneutic, \u00een cheie discret evanghelic\u0103, dar cu sincretisme extrem de expresive. Lecturii i se ofer\u0103 un ambitus maxim, de la literal la anagogic. Adic\u0103 de la, s\u0103 zicem, gu\u0219terul de l\u00eeng\u0103 magazie, terasa acoperit\u0103, un milkshake<\/em> sau aprinderea unei \u021big\u0103ri la… Dumnezeu. Gesturile simple cap\u0103t\u0103 acel tiv hieratic care preschimb\u0103 un oarecare scenariu vilegiaturistic (vacan\u021ba \u00eentr-o insul\u0103, topos conot\u00eend \u00eens\u0103, prin defini\u021bie, refugiul, regressus<\/em>-ul ini\u021biatic, athanorul interior) \u00een ritual misterios, cu elemente de magie popular\u0103 \u0219i cronologie incert\u0103, glis\u00eend de la nup\u021bial la funerar \u0219i eshatologic. Se creeaz\u0103 astfel o atmosfer\u0103 arhaic\u0103 \u0219i, totodat\u0103, hristic\u0103, \u00een sensul pantemporal al cre\u0219tinismului de care vorbe\u0219te, de pild\u0103, Simone Weil.
Lumea din evantaie a lui Moni St\u0103nil\u0103, pe c\u00eet de iluzorie, pe at\u00eet de real\u0103 – oricum, una prin care \u00eenc\u0103 adie duhul \u2013 reprezint\u0103 reversul cotidianului denaturat. \u0218i un refugiu spre \u201elinkurile din m\u0103r\u201d, a\u0219adar spre Paradis \u0219i spre o nou\u0103 tenta\u021bie.\u201d
Ovidiu NIMIGEAN<\/p>\n","protected":false},"excerpt":{"rendered":"